Dear Necessity, the magnitude
and
difficulty of the trust to which the voice
of my country has called arises from the recent
tempest, adopted by the Spanish to name
the storms
they encountered in New Times
Roman. These reflections, bracketed
by floods, have forced themselves
so
strongly on my mind that I fear
Hurakan, who commands winds
from the east. In the night there is a coming
and going
of people, but where are the former
ties? Although the wounds of many
of you have begun to fester,
there are
none under the waters, there are
none. In this conflict all I dare aver
is that it has been my faithful study
to collect
a duty from a just appreciation
of every street lamp in Philadelphia. If I
have violated willingly or silently
the
injunction thereof, I may
(besides incurring constitutional punishment) be subject
to the
upbraiding of all who are now
witnesses of this present solemnity. I did
not say, “In this chapter begins your future, it cannot be
put out by fire.”
Barbara Claire Freeman is a literary critic, literature professor and poet whose work includes The Feminine Sublime: Gender and Excess in Women’s Fiction (1998), among other works of
literary theory and criticism, and the poetry collection Incivilities (2009). Her poems have won the Boston Review/Discovery Prize and the Language Exchange Prize.
She teaches creative writing in the Rhetoric Department at the
University of California, Berkeley.
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